news
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27 February -30 March 2025 , Podroom Gallery, KCB, Belgrade
OBNAVLJANJE SMISLA , exhibition by artists Šejma Fera and Saša Stojanović in collaboration with scientist Marija Tasić
This exhibition critically explores the processes of knowledge production, transformative power of art and the place of scientist and artist in the Capitalocene. Believing that the artist and the scientist must be a kind of constructive rebel who searches for alternatives to the mainstream, the three artists are inspired by the potential of wasted things to stir the possibilities in the current conditions of uncertainty and precarity.
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EVERY THING FROM EVERY ANGLE
by Aleksandrija Ajduković
(text in catalog "Nature and Culture", 2009 ,proofread by M.M.)
Šejma Prodanović looks at things from every angle and when she does that, returns again to check once more but in other direction. Her parallactic1 thinking and advancing in (searching) truth, finds its actualization in millions of cutout animals, insects, bushes, taxidermised animals and other things she finds on different places, her friends give her or produces herself at home or cuts from Monty Python’s show to transfer in drawing or painting.
Sometimes, to understand one’s artistic work you ought to know author’s personality as well. It seams that this is the case with Šejma also. If you meet her on the street she will tell you all the things she found that day on the internet, all the texts she read, what famous people she met , what is her opinion on left views of artists today, and all that with a humor that is not obvious on a first look, neither on a second look.
Eh, yes, as Šejma’s parallactic view goes scanning, it doesn’t waste time, it jumps from one point to the other very quickly.
Parallax is well known to the photographers. Here is a simple illustration for this sensation, this is like if you are shooting from a rifle that “throws“ little to the left, so in advance you shift gunpoint a bit to the right.
Šejma invites you to miss!
1 Kojin Karatani in the book Transcritique, on Kant and Marx speaks about parallactic view. He notices Kant’s point to see things neither from one own viewpoint, nor from the viewpoint of others, but to face the reality that is exposed through parallax. Parallax, from Greek parallaxis; meaning alternation, the mutual inclination of two lines forming an angle; (Astron.) apparent difference in position of a body (as the sun, or a star) as seen from some point on the earth's surface, and as seen from some other conventional point, as the earth's center or the sun. The apparent displacement of an object caused by a change in the position from which it is viewed. (Slavoj Žižek, "Interrogating the Real")
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Text of art historian Vladimir Bjeličić about exhibition Digest:
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(in english below) tekst za katalog 59.OS o radu Šejme Fere, photos here
POLIGON ZA POKAZNE VEŽBE
Ako stvarnost posmatramo kao poligon koji je napravljen po meri zabavljačke i vojne industrije, medijski prostor rezervisan za kulturu namerno se daje neinventivnim ljudima koji tapkaju u mestu i dekorišu nekrofilnu sadašnjost. Oni se nikom ne obraćaju, ne znače ništa i nemaju kritički odnos prema suštinskim problemima. To rasteruje i ponižava ljude, i na ovom poligonu je izgubljen smisao. U takvom rasporedu stvarnosti oportunistička logika radi mehanički, kao na traci i u stalnoj je potrazi za novim izvorima prestiža i šoka. Ovakva zabava, koja je deo kulturuloškog stanja namenjena je malograđanskoj publici i mediokritetima iz branše, zaduženim za teoretsko pokriće i zamagljivanje ekonomskih interesa i skoro je bez ikakvog ljudskog i kritičkog sadržaja.
Rad POLIGON Šejme Fere je angažovan i podrazumeva radikalnu subjektivnost. To znači biti ljudsko biće koje nešto oseća i ne pripada kapitalističkoj stvarnosti usamljenog i uplašenog čoveka. Kroz lični stav, demistifikuje potrošački svet spektakla kroz odbačene predmete i uspomene, i daje mogućnost za obnovu komunikacije. Razvija svoju instalaciju kroz priče o našem fragmentiranom trajanju i znanju o tragovima savremenog društva.
Svojim umetničkim integritetom Šejma Fere pokazuje da je najvažniji pojedinac i njegova lična poruka. Sve ostalo je politička manipulacija izgrađena iz oholosti, sebičnosti i podčinjavanja, koja predstavlja strukturu potrošačkog društva.
Iz radosti, naslućujem da njen rad ukazuje na osvešćenost prema egzistencijalnim modelima današnjeg doba i pronalaženje načina da se živi van tih modela. Sreća je sloboda. Ako čovek ima sreće da bude slobodan, onda je i živ.
Saša Stojanović, likovni umetnik
Beograd, 2022.
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TRAINING GROUND FOR DEMONSTRATION EXCERSISES
If we look at reality as a training ground that is custom-made for the entertainment and military industries, then the media space reserved for culture is deliberately given to the uninventive people who tap in place and decorate the necrophilic present. They don't address anyone, they don't mean anything and they don't have any critical attitude towards the essential problems. This distracts and humiliates people, and the meaning is lost on this training ground. In such an arrangement of reality, the opportunistic logic works mechanically, like on a factory line, and is constantly searching for new sources of prestige and shock. This kind of entertainment, which is part of the cultural situation, is intended for the petty bourgeois audience and mediocrities from the culture industry responsible for theoretical coverage and obfuscation of economic interests, and is almost devoid of any human and critical content.
The work POLIGON (Training ground) by Šejma Fere is socialy engaged and implies radical subjectivity. It means being a human being who feels something and does not belong to the capitalist reality of a lonely and scared man. Through a personal attitude, it demystifies the consumer world of the spectacle through discarded objects and memories, and gives the possibility for the renewal of communication. Fere develops her installation through stories about our fragmented duration and knowledge about the traces of modern society.
With her artistic integrity, Šejma Fere shows that the most important thing is the individual and his personal message. Everything else is political manipulation built from arrogance, selfishness and submission, which represents the structure of consumer society.
With joy, I sense that her work indicates an awareness of the existential models of today's age and finding a way to live outside of those models. Happiness is freedom. If a human is lucky enough to be free, then she is alive also.
Saša Stojanović, visual artist
Beograd, 2022
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WORLD COLLAGE DAY 2023
Friday 12th May, 4-7PM,
Saturday 13th May, 12AM-3PM
/////For the World Collage Day, we are organizing a two-day workshop that will gather professional artists and members of our community to work side by side. #WorldCollageDay
///// Pozivaju se ljubitelji krpeža, brikolaža, reciklaže,"uradi sam" pristupa, rovarenja, hakovanja i grubih spojeva, na radionicu
kolaža u petak 12. maja od 16-19h i subotu 13. maja, od 12-15h. Mesto održavanja je Univerzitetska biblioteka "Svetozar Marković", adresa Bulevar kralja Aleksandra 71, Beograd.http://www.unilib.rs/
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NUS III
Četvrtak 9. mart 2023, 18h, Remont galerija, Beograd
NUS je prostor za uspostavljanje direktnije komunikacije savremene umetničke prakse i građana. Svakih nekoliko meseci na prozor ka ulici (pešačka zona) i na zid unutrašnjeg dvorišta, postavljaju se radovi recentnih umetnika iz zemlje i inostranstva, estetski i sadržajno osmišljeni kako bi slučajnom prolazniku približili savremenu umetnost.
Do sada su u okviru NUS-a izlagali: Jelena Mijić, Mirza Dedać, Boris Burić i Igor Grubić. U trećem izdanju NUS-a predstavljamo nove radove Šejme Fere (prozor) i Jelene Radović (dvorište).
GALERIJA REMONT Maršala Birjuzova 7, Belgrade, 11000 Serbia
https://remont.net/index.php/nus-iii-sejma-fere-jelena-radovic/
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FRLJANJE JEZIKOM
30. 1 – 31. 3.2023
Umetnici: Dina Belančić, Sonja Blagojević, Goran Dimić, Šejma Fere, Borjan Grujić, Lamija Halilaghić, Aleksandar Jestrović Jamesdin, Isidora Lazić, Nevena Ostojić, Nikola Radosavljević, Jelena Radović, Milica Rakić, Miloš Stošić, Sonja Šurbatović, Marko Ubović, Milena Zović
Kustoskinja: Marija Radoš
GALERIJA REMONT Maršala Birjuzova 7, Belgrade, 11000 Serbia
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Radionica kolaža "Poligon za pokazne vežbe"
prateći program 59. OKTOBARSKOG SALONA
18.11. i 19.11.2022.
UNIVERZITETSKA BIBLIOTEKA „SVETOZAR MARKOVIĆ“
Bulevar kralja Aleksandra 71, Beograd
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59. OKTOBARSKI SALON
20.10 - 4.12.2022.
GALERIJA UNIVERZITETSKE BIBLIOTEKE „SVETOZAR MARKOVIĆ“
Bulevar kralja Aleksandra 71, Beograd
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Tirana International Biennale of Graphic Arts
October 25 - November 25, 2022
Tirana Art Gallery / National Historical Museum, Tirana
(Šejma Fere, Wild Animal, gravure+stamp, 2022)
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september 2022 - january 2023
group exhibition
Art at Work, At the Crossroads between Utopianism and (In)Dependence
+MSUM, Museum of Contemporary Art Metelkova, Ljubljana
(Šejma Fere, UHU, installation, 2017)
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The Case of Poor Images international group exhibition
Curated by Mia Ćuk
14 Apr 2022 - 19 May 2022
Artget Gallery
Cultural Center Belgrade
Knez Mihailova 6, Belgrade, Serbia
https://www.kcb.org.rs/en-us/2022/04/the-case-of-poor-images-international-group-exhibition/
(Šejma Fere, StripSud, digital print, detail, 120x80cm, 2022)
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Biennale collection- selection of artworks about sport
9th Beijing International Art Biennale, China
21 Jan 2022 - 15 Feb 2022
National Art Museum of China - NAMOC
Beijing, China
http://www.bjbiennale.com.cn/en/ExhibitionNews/202112/t20211207_574755.html
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Among Women: Serbian Contemporary Art
curated by Rachel Klipa
January 21 - February 26 2022
Bronx River Art Center, 1087 E Tremont Ave Bronx
The exhibition features eleven women artists who are deeply connected to Belgrade, the capital of Serbia, and provides a snapshot of the productive and multilayered contemporary art scene. Artists: Šejma Fere, Bojana S. Kneževic, Marina Markovic, Tijana Radenkovic, Simonida Rajcevic, Vahida Ramujkic, Milica Ružicic, Maja Simic, Nina Todorovic, Anica Vucetic, Gordana Žikic.
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Vizuelni rečnik Studentskog grada (Visual dictionary of Student City)
Workshop and exhibition curated by Šejma Fere, Stevan Vuković and Tijana Savatić, with support from Dom kulture Studentski grad and Ministry of Culture Serbia.
December 23, 2021 - January 22, 2022
DKSG gallery, Novi Beograd
Dom kulture Studentski grad, Novi Beograd
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15 September 2021
Interview on radio program Sceniranje #175: Saša Stojanović and Šejma Fere in conversation with hosts Jelena Mijić and Mia Ćuk about exhibition ŽIVI SMO! and other related topics.
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Among Women: Serbian Contemporary Art curated by Rachel Klipa
937 Gallery, Pittsburgh,
September 9, 2021 - January 9, 2022
"Among Women: Contemporary Art from Serbia" feature works by artists: Šejma Fere, Bojana S. Knežević, Marina Marković, Tijana Radenković, Simonida Rajčević, Vahida Ramujkić, Milica Ružičić, Maja Simić, Nina Todorović, Anica Vučetić, and Gordana Žikić. Curated by Rachel Klipa
Project supported by the Pittsburgh Cultural Trust and the Pennsylvania Partners in the Arts.
937 Gallery
937 Liberty Avenue
Pittsburgh, PA 15222
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We are alive
exhibition of Saša Stojanović and Šejma Fere
14 September-30 October, 2021
Gallery Šok Koridor, Art Klinika, Novi Sad
https://sokzadruga.com/
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19 April 2021
Talking with Brainard Carey for The Museum of Non-Visible Art,
hosted by Yale University Radio
https://museumofnonvisibleart.com/interviews/sejma-fere/
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30 January 2021
SNAPS collection for Norient
https://norient.com/snaps/sfere
Artworks in Snap format: image+quote+sound, made in collaboration with different photographs, writers and musicians, in 20020/2021
"Norient is an audio-visual gallery and a community (of practice) for the sound of the world: For contemporary music, quality journalism, cutting-edge research,
projects and events like the Norient Film Festival (NFF). Norient conceives music, sound, and noise as seismographs of our time, facilitates space and place for thinkers and artists from
currently fifty countries to tell new and different stories of the now and tomorrow. The goal is to support (sub)cultural diversity, broaden horizons, and open up dialogue across people,
continents, and disciplines." https://norient.com
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21. december 2020
NFF Bern: January 13–17, 2021
NFF Lausanne:February 20, 2021
Artwork by Šejma Fere (Belgrade, Serbia)
Typo and Layout by Annegreth Schärli, gut&schön (Zurich, Switzerland)
Bern, Zurich
https://nff-bern.ch/
Collabortion with Norient and Annegreth Schärli on Poster creation for The Norient Film Festival.
The Norient Film Festival, the 10th edition will be taking place in January and February 2021 in Bern and Lausanne, Switzerland. With its film festival,
the Bernese platform for music research Norient wants to dive into opportunities, challenges, and questions of our time via music and sound. Beyond documentaries on fado, rebetiko, the club and
dance scene in Baltimore, or the Kurdish granî music, the NFF 2021 presents many more documentaries and short films, ethnographic movies, and audiovisual experiments.
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10 November 2020
Making graphic covers for Timezones series, the experimental audio collages, co-initiated and co-produced by Norient and the Goethe-Institut.
https://norient.com/timezones
The Timezones podcast series plunges into the world of artists and their practices, asking: what does living and working in culture and the arts involve in different countries, cities, and contexts today?
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Our Home—The Belt and Road Nation’s Art Exhibition Shangai Art Muesum, China
3 November 2020 - 31 March 2021
Selection of artworks from Beijing Bienial Collection
Exhibition organized by China Artists Association and Shangai Art Muesum, China
http://www.bjbiennale.com.cn/en/ExhibitionNews/202011/t20201105_514776.html
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20. october 2020
Šejma Fere i Saša Stojanović :
MOST (Beograd, 20.10.2020.)
Na današnji dan, 20.oktobra 1944. Miladin Zarić je demontiranjem eksploziva spasio most od rušenja. Danas, mi smo protiv rušenja mosta jer je Zarićev most simbol
otpora destrukciji fašističkog okupatora.
On this day, October 20, 1944, Miladin Zarić saved the bridge from demolition by dismantling the explosives. Today, we are against the demolition of the bridge because Zaric's bridge is a symbol of resistance to the destruction of the fascist occupier.
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2. october 2020
Collaboration with Norient
Bern, Zurich
work in progress
Varios visuals and graphic covers in collaboration with the Norient, an audio-visual gallery and a community for the sound of the world
«Timeszones Nairobi» podcast by Norient + The Goethe Institute. Curated by Thomas Burkhalter.
https://norient.com/thomas-burkhalter/timezones-episode-1-nairobi
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13. august 2020
Šejma Fere i Saša Stojanović
PARK(ING) RAŠE POPOVA (Beograd, 13.8.2020.)
Na mestu najnovijeg urbanističkog nasilja i zagađenja poetike Raše Popova.
Park(ing) Raše Popova, action
Saša Stojanović and Šejma Fere
At the site of the latest urban violence and pollution of Rasha Popov's poetics.
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Videćemo ujutru
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Norient Space "THE NOW IN SOUND"
5 March 2020, Haus der Kulturen der Welt, Berlin
Norient's digital sound and media art gallery The Now in Sound presented in HKW with a walk-in installation and live music by Sarathy Korwar. Its focus is on subcultural and experimental artistic positions in a globalized, digitized and urbanized world. The presentation features the work of the following curators, artists and producers from 18 countries: Easterndaze / Lucia Udvardyova feat. Adrienn Szaszar + Csenge Csato + Fausto Mercier + Johanna Marcade Mot + Samčo, brat dážďoviek + Simina Oprescu + Stred Sveta// Hungary; Serbia; Slovakia; Romania ° Faisal M Khan feat. Akaliko Artist Collective (Imtiaz Nasir + Imtiaj Hossain + Akaliko Records + Shadharon Chhobi + Fahad Hossain + Juliana Adhikary // Bangladesh °
SPIME.IM + MADAM + Simona Da Pozzo + Slon + MM/Iokoi + Marco Mercuzio + La Morte Viene Dallo Spazio + Furtherset + Davide Serpetti // Italy ° Svetlana Maraš feat. ŠEJMA FERE + Marija Balubdžić +
Vukašin Đelić // Serbia ° Nadia Mounier feat. Kinda Hassan + Ahmad Hammoud // Libanon; Egypt ° Pedro Oliveira feat. GG Albuquerque + Rafael Nascimento
// Mexico ° Ali Gul Pir feat. Ali Kazmi + Aam Taateel + Safwan Subzwari // Pakistan ° c0d3 p03try feat. rapo + carlasophie + Flor de Fuego + Arlene // Argentina ° Meira Asher feat.
ProjectoHisteria + Basma Bader // Israel; Brasil ° A.Fruit feat. Uno Design + Alexander Dmitriev// Russia ° Daniel Jakob + Bit-Tuner + Simon Berz // Switzerland ° meLê Yamomo feat. tba
// Netherlands ° Fertigdesign // Germany ° Lows0n feat. tba // China ° Ali Sayah // Iran
https://www.norient-beta.com/
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17 november 2019
Exhibition "Matine Program" awarded by the Kolarac Foundation Anual Award for the exhibition of the Season 2018/2019
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14 november 2019
Fanzine "To be enjoyed endlessly" by curators Seda Yıldız and Ewa Borysiewicz
in the frame of What Could / Should Curating Do? platform
https://yildizseda.com/To-be-enjoyed-endlessly-1
https://wcscd.com/index.php/2019/11/14/to-be-enjoyed-endlessly-a-zine-final-project-by-wcscd2019-curators-seda-yildiz-and-ewa-borysiewicz/
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Trikolaža
12 November - 5 December 2019 , gallery SKC, Kragujevac
Trikolaža (Matine program, Minute collage, Toothbrushes)
similar to tricotage
(wikipedia: Tricot is a special case of warp knitting, in which the yarn zigzags vertically, following a single column ("wale") of knitting, rather than a single row ("course"), as is customary. Tricot and its relatives are very resistant to runs, and are commonly used in lingerie.)
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Ambalaža, izložba
3 - 15 December 2018 , gallery Mali Salon KC, Novi Sad
Exhibiton of Tothbrushes and asambllages. Serial of assemblages where the packaging is used as a creative material and as a metaphor for the “packaged” culture in which we live, where almost all is designed for the consumer and the truth and facts often are hidden. Small objects are made of recycled materials: photographs from old magazines, catalogs, brochures and plastic packaging for toothbrushes. In the in the mode of free association, selected parts of the images were connected into new shape within the packages which specifc structure limits and distort the papery contents. The resulting assemblage at the same time shows the form of the package and visual composition with highlighted multiplicity of expression, subconscious images and distorted figuration. More info here
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MATINE PROGRAM
SOLO SHOW
25 September - 13 October 2018
gallery Kolarac, Belgrade
Photos from the exhibition in the album
and on the GALLERY SHOTS! page
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MATINE PROGRAM
SOLO SHOW
upcoming
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participating artists: Milica Rakić, Raša Todosijević, Jamezdin, Aleksandar Denić, Vahida Ramujkić, Darinka Pop-Mitić, Miloš Tomić, Bojan Đorđević, Šejma Fere
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and designed by Maycec
participating artists: Monika Sigeti, Andrea Palašti, Kathie Woznicki, Nina Todorović, Miloš Tomić, Nikola Marković, Vladimir Lalić, Šejma Fere
http://glueheads.com/
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9.june 2017.
Salzburg Art Academy, august 2017
Attending the Course of Miniature Painting by Aisha Khalid at the International Art Summer Academy in Salzburg
The course will focus on the centuries-old traditional technique of miniature painting, from the Indian subcontinent. Demonstrations will include different techniques of making a miniature painting (pencil, Siyyah Qalam, Gad’rang, gilding and bordermaking). During the course, Aisha Khalid will also talk about the revival of contemporary miniature painting in Pakistan.
The basic objective of this course is to encourage conceptual work in the participants after they have been introduced to certain skills and gained an understanding of the ancient art form of miniature painting.
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13.mart 2017.
Matine program
galerija Platoneum, ogranak SANU, Novi Sad
6-20.aprila 2017.
Predstavljeni radovi su nastali kolažnom tehnikom i metodom slobodnih asocijacija. Naslov izložbe “Matine program” je inspirisan dnevnim terminom u bioskopu kada možete za jeftinije ulaznice gledati filmove. Izloženo je 20 kolaža, kratki animirani radovi i vitrine sa crtežima i nađenim predmetima.
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27.12.2016.
Keš, kolica i šmekerica
pop-up exhibition
the show about money and art, tombola and exhange
curated by Sanja Anđelković and Andrea Palašti
gallery Trafika, Novi Sad
27 December 2016
Exhibted works by: Aleksandar Ramadanović, Boris Burić, Danica Bićanić, Danica Jevđović, Dragana Kuprešanin, Rade Tepavčević, Sanja Anđelković, Sonja Radaković, Sonja Bajić, Sofija Kamasi, Mirza Dedać, Maja Nikolić, Andrea Palašti, Filip Bojović, Lenora Kapuši, Tatjana Smiljanić, Miloš Bibić, Vanja Novaković, Katarina Kapičić, Luka Stojanović, Jelena Gajinović, Csaba Lality, Novak Požarev, Ivan Vuknić, Nikola Popović, Jovana Krstić, Klajo Adrian, Milica Strizović, Šok Zadruga, Šejma Fere.
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14.12.2016.
Rascenzurisaše li ti se umetnici
the group exhibition about censorship related to
art,
curated by Ana Dimitrijević and Jelena Mijić
Ostavinska galerija, MK8, Belgrade
12 - 22 December 2016
Participating artists: Srđan Veljović, Tanja Ostojić, Klara Källström, Thobias Fäldt, Johannes Wahlström, Belgrade Raw,
Kamerades, Miloš Ćosović Desko, Andrea Knezović, Milica Rakić, Edvina Hudeckova, Slavica Ilić, Jovana Budošan,Šejma
Fere
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25.11.2016.
Travel grant for Valencia
Ministry of Culture of Serbia artist grant for participation at the exhibition XVIII CALL, gallery Luis Adelantado, Valencia
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24.06.2016.
New Art Collection
Faculty of Forestry of University Belgrade
New Collection of artworks, exhibited artists:
Milica Rakić, Marica Radojčić, Nataša Teofilović, Mirjana Odić, Vedrana Ivanović, Mirjana Ranković, Djordje Stanojević, Šejma Ferré.
At permanent display.
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10.06.2016.
CALL 2016 , XVIII International exhibition
gallery Luis Adelantado, Valencia
7July - 22 September, 2016
Participating artists: Manel Ros, María León , Iñaki Domingo , Simone Bailey , Elia Núñez , Florencia Caiazza , Alejandro Botubol , Daniel Jordán , Sejma Ferré , Ana Esteve , Rosa Rubio , Alejandro Ginés , Sally Muller , Hilde Onis , Jesús Eloy Sánchez , Carlos Correcher , Martín Piolatti
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15.02.2016.
Postcards from the Edge 2016
Organized by Visual AIDS and hosted by gallery Sikemma Jenkins & Co in New York.
Among 1504 artworks, photo my artwork at the event.
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08.04.2015.
USING IMAGES
Grocka Cultural center , Rancic historic home
17 - 30 April 2015
Site-specific exhibition is adapted to the space of "Rancic's house". It is developed on a crossing of a space of a gallery ambient and an imaginary cabinet of curiosities. It is a hybrid of fiction and personal archive, traces of the exhibition sight and mass media sources, advertisement and film.
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12.03.2015.
DAILY DIET
art project , installation, drawings and video
gallery Mz Baltazar’s Lab Vienna
from 6 may to 17 june 2015.
Lena Violetta Leitner and Sejma Ferré set "Daily Diet" project in window-shop at Mz Baltazar’s Lab in Vienna.
http://www.mzbaltazarslaboratory.org
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07.02.2015.
GUASCH CORANTY INTERNATIONAL PAINTING AWARD 2015
25 June - 26 July, 2015 Centre d'Art Tecla Sala, Barcelona
The jury of Painting Award Guasch Coranty , Teresa Badia, Joan Fontcuberta, Xavier Grau, Susana Solano and Alicia Vela, selected artists for the exhibition in Centre d’Art Tecla Sala.
Exhibiting artists: Alby Álamo , Javier Arbizu , Alejandra Atarés , Inma Ávalos , Manuel Blázquez , Joan Cabrer , Alejandra Colell , Narcís Díaz Pujol , Nuria Fermín , Sejma Ferré , Clarissa Fontana , Ivan Franco , Rubén Fuentes , Daniel Galván , Sara García Fernández , Jose Manuel García Hernández , Ignacio García Sánchez | Federico García Trujillo , Alberto Gil Cásedas , Santiago Giralda , Carmen González Castro , Stefanie Heinze , Manuel Christoph Horn , Victoria Iranzo , Lola Lasurt , Èlia Llach , Sergio Luna , Daniel Mohr , Guillermo Mora , Levi Enrique Orta , Elena Rato , Núria Rion , Juan Carlos Rosa , Tura Sanz , Esther Señor , Isabel Servera , Ramón Suau , Mónica Trastoy , Mirimari Väyrynen , Keke Vilabelda , Ivan de Vivando.
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01.01.2015.
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28.9.2014.
Noon, collage, 43x62, 2004
Artwork "Noon" by Sejma Ferré was noted with the Cultural Distinction Prize for Original Painting by the Onassis Foundation in 2006.
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1.10.2012
Artwork "Backyard" by Sejma Ferré on the cover of the Kolaj Magazine issue Two
Kolaj Magazine is a quarterly, printed magazine about contemporary collage. It brings together critical reviews and essays with artist profiles, event highlights, and articles on techniques and materials. Kolaj is published in Montreal, Quebec by Maison Kasini.
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